Just as the rock band, Doberman’s Stub, was about to reach stadium tour status, its leader was brutally murdered when his headphones exploded during a recording session. The widow, who inherits $5 million, is the San Diego Police Department’s number one suspect. She hires Jason Duffy, a 27-year-old PI and former musician, in his first year of private practice. Jason learns that the victim was in the middle of an acrimonious renegotiation with the record company at the time of his death. He also finds that the record company has a very unhealthy tie to the Russian Mafia. As an inexperienced detective, Jason does not yet have the contacts within the police department to gather vital information. He is forced to mend fences with his estranged father, an opinionated ex-SDPD detective. While Jason investigates the record company, he also takes a close look at the three surviving members of the victim’s band. One is an alcoholic/drug addict drummer, on the verge of being kicked out of the group. The second is a bass player who camouflages his rock star status by living in an ordinary house in a lower middle-class neighborhood. Third is a lead guitarist and writer of half of the band s songs, who lives well beyond his means. Jason has not yet become hardened to the very real dangers of his new profession. We experience his inner conflict as his girlfriend, staff, and family are drawn into the danger zone. After Jason’s part-time employee is severely beaten during a stakeout, he sells the story of the Russian Mafia’s involvement in the record business to a tabloid journalism TV show in a misguided effort to protect his employer and coworker. This serves to drive the case to new heights of danger and suspense. Jason goes behind the industry veneer of sex & drugs & hedonistic lifestyles. He shows us how the 21st Century world of downloads, file sharing, and image demographics need to be considered in a case of Rock & Roll Homicide.
- Publisher: Killeena Publishing with RJ Communications; 1ST edition (2008)
- ISBN-10: 0981491413
- ISBN-13: 978-0981491417
SPECIAL GUEST REVIEWER:
SUSAN HELENE GOTTFRIED
This review appears on Susan’s blog Rocks and Reads on her West of Mars site.
Be sure to visit her site and check out all of the reviews!
When author RJ McDonnell dropped me a note, I was more than thrilled to hear from him. I’d seen his name around in certain circles and since he writes about a dude who used to be in band, and since his first mystery, Rock and Roll Homicide.
Not the sexiest title out there, but I love the cover shot of a Fender Strat that’s been splattered with blood. Even though the dead guy dies in the preface, and I doubt any residue would make such a lovely pattern on a white strat, it doesn’t matter. And if it did, there’s so much good stuff going on here.
I’m not sure where to start, really, other than to say I loved this tale. I loved the main character, Jason Duffy. I loved his quirky cast of mentally disabled people and helpmeets. I loved Duffy’s narrative voice; it has total character. I loved his dad and the veteran, grizzled cop and the computer geek dude who never wants to use his names.
Maybe we should back up. Our intrepid hero, Jason Duffy, hasn’t been in business very long when he gets a visit from the very wealthy Chelsea Tucker. It turns out it’s her husband’s brains that have been spattered across the aforementioned guitar — among other things. It seems her husband is the famous — but contentious — Terry Tucker, frontman and business genius behind Doberman’s Stub, a band rocketing to the top — and currently recording their third album. This is the one that’s going to push them up to that coveted peak. Everyone knows it.
That’s why Terry was killed, it turns out. He put on a pair of headphones (conveniently given to him by his wife. What a loving woman.) and … kablooey!
The wife needs Jason’s help to clear her name. And Jason dives right in, encountering the Russian Mafia, the Irish Mafia, Orangemen, half-naked women, photographers with Tourette’s Syndrome, and a whole laundry list of surprises and twists and turns that even a experienced knitter couldn’t unravel.
Needless to say, McDonnell pulls it off. Neatly, I might add. And with no small dose of humor — particularly the scene where Jason goes sneaking around a shower. Trust me. It’s the best scene in a good book.
Now, you know I can’t write a review without talking about the downers, and there were some, of course. I’ve yet to read a book without them.
In Rock and Roll Homicide, there are two big ones. First is that the cast of characters is huge. Quirky and well-drawn, sure. But it’s big. Big casts can get confusing, and alliteration never helps. Oh, I’m not talking about the way in which half the characters have Russian names. See above about the Russian mafia.
Rather, there are an awful lot of women whose names start with the letter J. A lot of people with the first initial of C.
It’s a shame, really. These characters are all given such delicious quirks and characters, and then to confuse us with the similar names… talk about torture.
I’ve got McDonnell’s second book here, waiting for me to read it, too. Rock & Roll Rip-Off, it’s called. All I gotta say is that it’ll be a ripoff if there’s no third book in the works.